Excerpts

From Issue 18: "Boy With Flowers In His Mouth" by Phillip Watts Brown (Poetry)

From Issue 18: "Boy With Flowers In His Mouth" by Phillip Watts Brown (Poetry)

This week's Excerpt is a Pushcart nominee, Phillip Watts Brown, with his thoughtful work, "Boy With Flowers in His Mouth" from Issue #18.

From Issue 19: "The Binding" by Jo'Van O'Neal (Poetry)

From Issue 19: "The Binding" by Jo'Van O'Neal (Poetry)

The Binding                                                                   Jo'Van O'Neal Reading Time: 3 minutes "The Binding" originally appe...

From Issue 19: "A Response to a Pair of Forest Plots" Derek Sheffield (Poetry)

From Issue 19: "A Response to a Pair of Forest Plots" Derek Sheffield (Poetry)

This week's poetry excerpt is a timely work by Derek Sheffield after our western summer of wildfires.

 

From Issue 18: "Early Work," by Carolyn Williams-Noren

From Issue 18: "Early Work," by Carolyn Williams-Noren

We thought the chestnuts—on the sidewalk of Steele Street—were going to waste. “I wish,” I’d said to Alison. “I wish we could do something with these.” The clacking handfuls.

From Issue 16: "Disorientation" by Jessica Yuan (Poetry)

From Issue 16: "Disorientation" by Jessica Yuan (Poetry)

A finalist in the upcoming Best New Poets anthology, this week's excerpt is Jessica Yuan's poem "Disorientation." Let us know what you think, won't you?

From Issue 18: "Vamos," by Emily James

From Issue 18: "Vamos," by Emily James

But when the smallest girl reaches into her Cheese Doodles and the plastic bag cracks into a cut then a sliver and then rips in two, the powdered curls falling out into a sad orange pile, she looks at me, lip turning inward, about to give way. I reach for her, but in this moment, she needs him—the man who gave her those lean legs and left dimple and kinky curls and skin the color of autumn leaves.

From Issue 18: "first first" by Sara Youngblood Gregory (Poetry)

From Issue 18: "first first"  by Sara Youngblood Gregory (Poetry)

This week's excerpt features the thoughtful work of poet, Sara Youngblood Gregory. Isn't it time for some poetry to enrich your day?

From Issue 18: "Para Mis Chiquistriquis," by Moncho Alvarado (Poetry)

From Issue 18: "Para Mis Chiquistriquis," by Moncho Alvarado (Poetry)

This week's excerpt from our recent Issue 18 is a poem by Moncho Alvarado. A short and gentle work written to loved ones, it celebrates a bond that crosses the generations. Let us know what you think, won't you?

From Issue 16, "self-evident," by Matthew E. Henry (MEH), (Poetry)

From Issue 16, "self-evident," by Matthew E. Henry (MEH), (Poetry)

Questions asked by a thoughtful child in an elementary school are the beating heart for this week's excerpt of Matthew E. Henry (MEH)'s poem, "self-evident."

From Issue 16, "Swing," by Angel C. Dye (Poetry)

From Issue 16, "Swing," by Angel C. Dye (Poetry)

This week's except is Angel C. Dye's joyous poem, "Swing," from Issue 16. Highlighting music and dance as part of Dye's heritage, it may just sweep you off your feet.

From Issue 16: "After the Ball," by Max King Cap

From Issue 16: "After the Ball," by Max King Cap

When asked which apparatus he would prefer, he answered, “Truck.” His father had been on a truck. He had been a tillerman on the hook-and-ladder. When two fire apparatuses collided during a run, his father became pinned under the wheels of the engine. He spent nearly a year in recuperation. Ever after he carried tire marks across his chest and shoulder. The candidate began his training on Truck 66 in Uptown. 

From Issue 17: "Five Seals," by Bethany W. Pope (Poetry)

From Issue 17: "Five Seals," by Bethany W. Pope (Poetry)

This week's poetry excerpt by Bethany W. Pope offers a glimpse into what it can truly mean to be captive in their work, "Five Seals."