The news of your death called me Bird
this morning. It spoke in a rainlit voice
you hadn’t used for years
before you died, so the news
of your death is making good use
of lost things. It made me sing
a song November doesn’t think
you even knew, made me open the door
for November to flap through,
though you didn’t need its cold wings
or its name. What holds me, still,
is how the news of your death
can grab for stones you let drop
throats ago, or winds you never tried
to touch. Where did it learn the breath
to move in these soft places? Where
can Bird live now in the mouth?
In whose forgotten teeth? The news
of your death is old news, torn strips
of Sports and Lifestuffed into nest, but you
are young, impossibly smooth, when
it speaks to me. You are sixteen
on a bike, coat flapping downtown
to the winter shops, you’re a bride
ribboned in a brown dress, you’re brushing
my doll’s gold hair. You are my own
lips, cold and folding as you tell me
to leave for the party, my trike
hurt-red in the windy drive and it’s time,
there are children already singing
one house over. In that kitchen,
some strange pink-frosted mother,
her aproned other body drifting between lit cake
and rippling streamers, will touch me
at the door. It’s time: the present
tucked in the trike’s basket and—Bird—
your mouth saying Go. The news can’t curl my hair
but you’d like it to. Your death
can’t push the pedals but my feet, Mom,
my feet are so tired.
Sally Rosen Kindred (she/her)
Sally Rosen Kindred’s most recent poetry collection is Where the Wolf (Diode Editions, 2021), and her poems have appeared in The Cincinnati Review MiCRo features, Cave Wall, Alaska Quarterly Review, and Kenyon Review Online.
When my mother died, I discovered, not for the first time in my life, how grief brings back earlier versions of the person you’ve lost, and earlier versions of you, the one who has lost them before, and will again. You’ve got to grieve those too, or at least open the door and let them blow through the room. This poem opens the door.