When I set up the feeder the birds came like leaves in wind so many I felt subsumed by them made small one cell in a body one word in the Iliad one bit in an infinite string of code like living in a world dying of plague each death tolled in numbers & graphs in the nightly knell of names read aloud singular-then-blurred so many I had not thought death had undone so many
I could not fathom those numbers or imagine so many birds in the world nor feral cats a long feline line flowing like water along the back fence & sometimes gazing back with amber eyes into mine nor could I have imagined the river of rats running ahead of those claws but it was mostly the birds & the cats then in the last months the foxes a pair of them silent faces white & taut under the moon such radiant triangles
Rebecca Foust (she/her)
Photo Credit: William Harvey
Rebecca Foust won the 2024 James Dickey Prize and the 2023 New Ohio Review Prize and is the author of Only (Four Way Books 2023) and Shine & Blur, from Backbone Press.
This poem was written during the pandemic when I was rereading 1984 and is from a new chapbook forthcoming from Backbone Press, Shine & Blur, that uses the lens of the love story between Winston and Julia to focus on the disturbing parallels between Orwell’s totalitarian dystopia and our own emerging political landscape. I wanted to capture what I was feeling then, a kind of overwhelming lived objective correlative in which the natural world felt overwhelmingly indifferent and even hostile to human interests.